By David C. Ogden, Joel Nathan Rosen, Jack Lule, Roberta J. Newman
Female athletes are too frequently perceived as interlopers within the traditionally male-dominated global of activities. stumbling blocks particular to girls are of specific concentration in A Locker Room of Her Own. Race, sexual orientation, and the same characteristics ancillary to gender undergo distinct exploration in how they influence an athlete's tale. crucial to this quantity is the competition that girls of their position as inherent outsiders are put in a different place much more advanced than the standard reviews of inequality and discord linked to race and activities. The members discover and critique the idea that during order to be thought of one of the pantheon of athletic heroes one can't deviate from the conventional demographic profile, that of the white male. those essays glance particularly and severely on the nature of gender and sexuality in the contested nexus of race, acceptance, and game. the gathering explores the reputations of iconic and pioneering activities figures and...
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Additional info for A Locker Room of Her Own. Celebrity, Sexuality, and Female Athletes
22 These are all present in Babe’s material. Other entries in Brunvand’s folklore encyclopedia are equally relevant to Babe’s masterful handling of the folk tradition: boasts, the trickster figure, and namelore. The evocative nickname given to Mildred Ella in her childhood, her subsequent and ongoing tinkering with her own name, and the many sobriquets assigned to her by sportswriters are significant namelore, indeed. ”25 Babe would have none of it. 28 If so, the little Babe ran with it. Another relevant Babe comes to mind, as well: Paul Bunyan’s Babe, the blue ox.
Although she was for five years the number one ranked female tennis player in the world, she is perhaps better remembered for her participation in the 1973 “Battle of the Sexes,” and the promotion thereof. Taking on and ultimately defeating fifty-five-year-old Bobby Riggs, a former Wimbledon champ and full-time self-promoter, King did more for the popularity of women’s tennis—providing her with both a room and funds of her own—than all six of her own Wimbledon singles titles and her very real success on the Virginia Slims circuit had done.
If she spoke with a common touch, however, it was not, in her early years, with a sense of community. She spoke aggressively and defensively for herself—in order to make money, to become famous, and to win. Kay F. Stone’s discussion of the folktale in Jan Brunvand’s comprehensive American Folklore: An Encyclopedia corrects the assumption that folktales are communal productions. ”17 That would be Babe, whose school grades were poor and whose few surviving letters are littered with grammar and spelling errors, but whose brassy ad-libs and one-liners won the hearts of golfing galleries everywhere while her barbed boasts rattled the confidence of her competition.