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By R. Bleiker

This e-book offers one of many first systematic checks of aesthetic insights into international politics. It examines the character of aesthetic ways and descriptions how they vary from conventional research of politics. The publication explores the capability and boundaries of aesthetics via a chain of case reviews on language and poetics.

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Example text

Ironic mimesis, then, is not mimetic in the conventional sense of the word: it does not aim for authentic representation. It becomes a metaphor that problematises the link between the representation and that which is represented, for irony always refers to something else than what is literally expressed. It refuses to identify an object by its name or face value. Ironic art, or ironic writing for that matter, does not expect the world to be smooth. It does not anticipate that all of our observations neatly fit into preconceived and clearly delineated conceptual boxes.

I am very brief on poetry, for the later parts of this book offer a series of case studies on the poetic imagination. But I would like to acknowledge that I am writing in the wake of several innovative international relations 38 Aesthetics and World Politics scholars who have explored how poetry might give them – and us – a different perspective on political issues. I think of contributions by Anna M. Agathangelou, Anthony Burke, Costas Constantinou, L. H. M. 94 Soguk, for instance, writes of poetry’s potential to bring out ‘echoes-monde’: neglected echoes that need to be registered across the world.

I think of contributions by Anna M. Agathangelou, Anthony Burke, Costas Constantinou, L. H. M. 94 Soguk, for instance, writes of poetry’s potential to bring out ‘echoes-monde’: neglected echoes that need to be registered across the world. Constantinou and Burke employ poetry to problematise the links between security and certitude that are part of conventional international relations thinking. They point out that the promise of security, when articulated through militaristic defence strategies, paradoxically tends to generate fear.

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